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  /  Jonathan Rosenbaum

Jonathan Rosenbaum

Jonathan Rosenbaum è stato critico cinematografico per il Chicago Reader dal 1987 a 2008. Fra le sue pubblicazioni Goodbye Cinema, Hello Cinephilia (2010), The Unquiet American: Transgressive Comedies from The U.S. (2009), Discovering Orson Welles (2007), Essential Cinema: On The Necessity of Film Canons (2004), Movie Mutations: The Changing Face of World Cinephilia (curato insieme a Adrian Martin, 2003), Abbas Kiarostami (con MehrnazSaeed-Vafa, 2003; seconda edizione prevista per il 2018), Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000), Dead Man (2000), Movies as Politics (1997), Placing Movies: The Practice of Film Criticism (1995), This is Orson Welles di Orson Welles e Peter Bogdanovich (a cura di, 1992), Greed (1991), Midnight Movies (con J. Hoberman, 1983), Film: The Front Line 1983, e Moving Places: A Life at The Movies (1980). L’archivio di gran parte del suo lavoro si trova sul suo sito web